SitcomWriter
Los Angeles, CA
Female, 33
For over ten years, I’ve had the extreme pleasure of being staffed on several half-hour network sitcoms, rising in the ranks from Staff Writer to Co-Executive producer. My writing partner and I are now developing our own material.
The final call is the head of the network. You might write the greatest script ever. Everyone loves it. It's a sure thing! Then the network president sees it and he's not a big fan of that joke on page four. So it's dead. Never to see the light of day. Transversely: If the network president gets a chuckle from men in drag then Work It makes it to the your prime time line up.
If you want to write solo, write dramas or movies. Comedy is a communal effort. Yes, you do get to write alone sometimes, but that just feels like a little break where you get to sleep in and type in your underwear. The majority of your time is being surrounded by very funny people eating snacks.
Short answer -If not most at least a good chunk. If you're starting from scratch it is the easiest (not easy) way to get on a staff. Most of the shows I've been on the most senior writers' assistant gets to write a script. If it's good you might even get moved up to staff writer. At the least you learn the ins and outs of a writers' room. You meet all the writers and if you have any talent we are all dying to help you out. (that is 100% sarcasm free - we know how hard the assistants work and we want them to succeed) I would say the second most common way to get your foot in the door is through one of the fellowships or writing programs some of the networks and studios offer.
Stephen Colbert is a genius. Plain and simple. I think most people in my industry with agree.
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I always knew this is what I wanted to do. I assumed it's what everyone wanted to do. And since everyone can't be a sitcom writer they "settle" for being a doctor, lawyer, indian chief whatever. Imagine my surprise when I discovered people actually want to be things like doctors and save lives instead of writing dick jokes. Crazy. How would I reply to being told it was hard to make it as a writer? I guess I'd say I can't imagine doing anything else. This is my dream job. It's worth putting in the effort. Someone has to be the lucky one who gets to do it. Why not me? But I'd also say that I'm not under any illusions of this being a cake walk. I came to Los Angeles knowing that if I didn't find meaningful writing work in five years I'd go back to the East Coast and re-think my career choices. I wanted to be a writer. I didn't want a career as a want-to-be writer.
Sometimes I like to be the bigger person and think why do I get to decide what sitcom is funny/original/worth the ratings? I mean if millions -MILLIONS- of people love Two and a Half Men they can't all be wrong. Then I watch Two and a Half Men - and I'm as stumped as you are. My best guess is that it's easy. You get home from a hard day at the office and sometimes it's nice to not have to think. The characters are basic. You know what they're going to do. The plot lines are easy to follow. You know what's going to happen. And it's chock full of extremely dirty jokes that we're not allowed to do on other shows so it send those "They went there" shivers down your spine. Also there are fart jokes.
If you are in a partnership you get paid as if you were one writer. You split the salaries, the script fees, the residuals. I am a co-executive producer (the second most senior position on staff). There have been occasions when I take home less than the story editors (the second lowest position). That is a huge chunk of change people. Why do I do it? I have a built in joke beater. A therapist (I was horrible today - no you were great). A friend on those awkward first days. Pitching is easier/more fun with a partner to share the floor. Showrunning with someone you 100% trust is a freaking blessing. But above all I think she's an amazingly talented writer and I think she feels the same about me. As good as our writing is individually, together we're even better. As for your first question - I've never been on a show with more than one other writing team. There aren't a lot of us. (they don't last long. See: splitting paychecks above). I know some showrunners love having them. My partner and I can each run our own rooms so they really are getting two for the price of one. But I know others don't like having a pair that are more loyal to each other than the show. So I guess I wouldn't team up just to make myself more marketable. Only team up if you truly feel like the other person makes your writing exponentially better (once again see: splitting paychecks above)
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